{"id":2468,"date":"2022-01-20T12:07:35","date_gmt":"2022-01-20T10:07:35","guid":{"rendered":"http:\/\/ciurlioniokelias.lt\/?p=2468"},"modified":"2022-01-20T12:07:38","modified_gmt":"2022-01-20T10:07:38","slug":"pianisto-dmitry-mayboroda-recitalio-irasas-m-k-ciurlionio-namu-youtube-kanale","status":"publish","type":"post","link":"https:\/\/ciurlioniokelias.lt\/en\/naujienos\/pianisto-dmitry-mayboroda-recitalio-irasas-m-k-ciurlionio-namu-youtube-kanale\/","title":{"rendered":"Pianisto Dmitry Mayboroda re\u010ditalio \u012fra\u0161as M. K. \u010ciurlionio nam\u0173 YouTube kanale"},"content":{"rendered":"\n<p>M. K. \u010ciurlionio namai kvie\u010dia pasiklausyti unikalios, romanti\u0161ko pol\u0117kio kupinos koncertin\u0117s programos&nbsp;<a href=\"https:\/\/mkcnamai.lt\/lt\/renginiai\/dialogai-su-ciurlioniu-dmitry-mayboroda-vokietija-valdovu-rumuose\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201eDialogai su \u010ciurlioniu\u201c<\/a>, kuri\u0105 2021 met\u0173 pabaigoje, gruod\u017eio m\u0117nes\u012f, Valdov\u0173 r\u016bmuose atliko vienas geriausi\u0173 jaunosios kartos pianist\u0173&nbsp;<strong>Dmitry Mayboroda<\/strong>&nbsp;(Vokietija, Rusija), \u012fra\u0161o.<\/p>\n\n\n\n<p>Koncerto metu pianistas klausytojams pristat\u0117 ir atliko k\u016brybinio dialogo tarp trij\u0173 dvide\u0161imtojo am\u017eiaus prad\u017eios kompozitori\u0173 ir pianist\u0173 \u2013 Mikalojaus Konstantino \u010ciurlionio, Sergejaus Rachmaninovo ir Nikolajaus Medtnerio \u2013 interpretacij\u0105.&nbsp;Koncerte skamb\u0117jo M. K. \u010ciurlionio pjes\u0117s, preliudai ir variacijos, kurias \u012fstabiai papild\u0117 ir \u012fr\u0117mino 1918 metais sukurta poeti\u0161ku ilgesiu dvelkianti N. Medtnerio \u201eSonata-prisiminimas\u201c, op. 38 Nr. 1, ir 1913 metais S. Rachmaninovo sukurta dramati\u0161ko pol\u0117kio kupina antroji sonata fortepijonui b-moll, op. 36.<\/p>\n\n\n\n<p>\u0160ia koncertine programa pianistas Dmitry Mayboroda siek\u0117 \u201eparodyti \u010ciurlionio muzikos \u017eanr\u0173 skirtingum\u0105, taip pat sugretinti labai da\u017enai atliekamus k\u016brinius, kaip Noktiurnas op. 6, ir labai retai atliekamas \u201eSefaa Esec\u201c variacijas\u201c.<\/p>\n\n\n\n<p>\u012era\u0161o nuoroda: <a href=\"https:\/\/youtu.be\/CLL5gwBN9GI\">https:\/\/youtu.be\/CLL5gwBN9GI<\/a><\/p>\n\n\n\n<p>Programa:<\/p>\n\n\n\n<ol type=\"1\"><li>Medtner (1880\u20131951) \u2013 \u201eSonata \u2013 prisiminimas\u201c, op. 38 Nr. 1<\/li><li>M. K. \u010ciurlionis (1875\u20131911) \u2013 Tema ir 6 variacijos, op. 15<\/li><li>M. K. \u010ciurlionis (1875\u20131911) \u2013 4 pjes\u0117s, op. 3<\/li><li>M. K. \u010ciurlionis (1875\u20131911) \u2013 2 pjes\u0117s, op. 6<\/li><li>M. K. \u010ciurlionis (1875\u20131911) \u2013 preliudas Des-dur, op. 29<\/li><li>M. K. \u010ciurlionis (1875\u20131911) \u2013 6 preliudai, op. 33<\/li><li>Rachmaninov (1873\u20131943) \u2013 Sonata Nr. 2, op. 36<\/li><\/ol>\n\n\n\n<p>\u0160is koncertas \u2013 tai projekto \u201e\u010ciurlionio dialogai\u201c dalis. Jau antrus metus vykstan\u010dio projekto siekis yra pristatyti \u010ciurlionio palikimo at\u0161vaitus \u012fvairiuose kult\u016briniuose kontekstuose, parodyti Lietuvos kult\u016bros myl\u0117tojams kitose pasaulio \u0161alyse gimstan\u010dias \u010ciurlionio k\u016brybos interpretacijas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>M. K. \u010ciurlionio namai kvie\u010dia pasiklausyti unikalios, romanti\u0161ko pol\u0117kio kupinos koncertin\u0117s programos&nbsp;\u201eDialogai su \u010ciurlioniu\u201c, kuri\u0105 2021 met\u0173 pabaigoje, gruod\u017eio m\u0117nes\u012f, Valdov\u0173 r\u016bmuose atliko vienas geriausi\u0173 jaunosios kartos pianist\u0173&nbsp;Dmitry Mayboroda&nbsp;(Vokietija, Rusija), \u012fra\u0161o. Koncerto metu pianistas klausytojams pristat\u0117 ir atliko k\u016brybinio dialogo tarp trij\u0173 dvide\u0161imtojo am\u017eiaus prad\u017eios kompozitori\u0173 ir pianist\u0173 \u2013 Mikalojaus Konstantino \u010ciurlionio, Sergejaus Rachmaninovo ir [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2469,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"kt_blocks_editor_width":""},"categories":[2],"tags":[],"translation":{"provider":"WPGlobus","version":"2.6.5","language":"en","enabled_languages":["lt","en"],"languages":{"lt":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/2468"}],"collection":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/comments?post=2468"}],"version-history":[{"count":1,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/2468\/revisions"}],"predecessor-version":[{"id":2470,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/2468\/revisions\/2470"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/media\/2469"}],"wp:attachment":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/media?parent=2468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/categories?post=2468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/tags?post=2468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}