{"id":2527,"date":"2022-05-04T13:40:00","date_gmt":"2022-05-04T11:40:00","guid":{"rendered":"http:\/\/ciurlioniokelias.lt\/?p=2527"},"modified":"2022-05-04T13:40:03","modified_gmt":"2022-05-04T11:40:03","slug":"m-k-ciurlionio-kuryba-issamiai-pristatyta-antverpene","status":"publish","type":"post","link":"https:\/\/ciurlioniokelias.lt\/en\/naujienos\/m-k-ciurlionio-kuryba-issamiai-pristatyta-antverpene\/","title":{"rendered":"M. K. \u010ciurlionio k\u016bryba i\u0161samiai pristatyta Antverpene"},"content":{"rendered":"\n<p><strong>Pra\u0117jus\u012f savaitgal\u012f Belgijos mieste Antverpene skamb\u0117jo Mikalojaus Konstantino \u010ciurlionio k\u016briniai.<\/strong><\/p>\n\n\n\n<p>Baland\u017eio 30 dien\u0105 \u0161iuolaikiniame sociokult\u016briniame centre Blikffabriek simfoninis d\u2019Academie Sint-Niklaas orkestras, diriguojamas Pieterio Matthynssenso, pristat\u0117 A. Piazzollos, M. K. \u010ciurlionio bei Ch. Efthymiou k\u016brini\u0173 program\u0105.<\/p>\n\n\n\n<p>M. K. \u010ciurlionio simfonin\u0117 poema \u201eMi\u0161ke\u201c, atliekama simfoninio orkestro, Belgijoje skamb\u0117jo pirm\u0105 kart\u0105, kaip ir graik\u0173 kilm\u0117s kompozitoriaus Ch. Efthymiou k\u016brinio \u201eMi\u0161ke\u201c pasaulin\u0117 premjera, kuri sukurta specialiai \u0161iam koncertui. Taip pat per koncertus surengti klausytoj\u0173 apsilankymai \u012fstabiose Blikffabriek patalpose, kuriose eksponuojama M. K. \u010ciurlionio reprodukcij\u0173 paroda, \u012f Antverpen\u0105 atgabenta i\u0161\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/mkcnamai.lt\/lt\/\" target=\"_blank\">M. K. \u010ciurlionio nam\u0173 Vilniuje<\/a>. Parodoje buvo galima pakalbinti ir pianist\u0105 Rok\u0105 Zubov\u0105, kuris pristat\u0117 \u017ei\u016brovams savo garsiojo prosenelio k\u016bryb\u0105.<\/p>\n\n\n\n<p>Gegu\u017e\u0117s 1 dien\u0105 XVII am\u017eiaus Gravenhof r\u016bmuose, esan\u010diuose poeti\u0161kame Antverpeno priemiestyje Hobokene, surengtas neeilinis fortepijonin\u0117s muzikos koncertas. Pianistai Sonata Deveikyt\u0117-Zubovien\u0117 ir R. Zubovas atliko dviej\u0173 simfonin\u0117s muzikos \u0161edevr\u0173, prad\u0117t\u0173 kurti 1903 metais, transkripcijas fortepijonui keturioms rankoms. Programoje kartu skamb\u0117jo C. Debussy \u201eJ\u016bra\u201c ir M. K. \u010ciurlionio \u201eJ\u016bra\u201c. Klausytojai gal\u0117jo i\u0161girsti \u0161iuos du monumentaliuosius marinistinius k\u016brinius, kuriuos tuo pat metu k\u016br\u0117 vienas apie kit\u0105 ne\u017einantys, bet t\u0173 pa\u010di\u0173 pajaut\u0173 genami genijai. Koncert\u0173 sal\u0117je buvo eksponuojamos M. K. \u010ciurlionio tapybos darb\u0173 reprodukcijos, tarp kuri\u0173 buvo ir \u201eJ\u016bros\u201c sonata.<\/p>\n\n\n\n<p>Tai iki \u0161iol i\u0161samiausias M. K. \u010ciurlionio k\u016brybos pristatymas Antverpene, antrasis svarbus Lietuvos k\u016br\u0117jo akcentas Belgijoje nuo 2013 metais Gente surengtos M. K. \u010ciurlionio darb\u0173 parodos.<\/p>\n\n\n\n<p>Projekto \u012fgyvendinim\u0105 par\u0117m\u0117&nbsp;<a href=\"https:\/\/lithuanianculture.lt\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lietuvos kult\u016bros institutas<\/a>.<\/p>\n\n\n\n<p><em><a href=\"https:\/\/lrkm.lrv.lt\/lt\/naujienos\/m-k-ciurlionio-kuryba-issamiai-pristatyta-antverpene\" target=\"_blank\" rel=\"noreferrer noopener\">Kult\u016bros ministerijos info.<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pra\u0117jus\u012f savaitgal\u012f Belgijos mieste Antverpene skamb\u0117jo Mikalojaus Konstantino \u010ciurlionio k\u016briniai. Baland\u017eio 30 dien\u0105 \u0161iuolaikiniame sociokult\u016briniame centre Blikffabriek simfoninis d\u2019Academie Sint-Niklaas orkestras, diriguojamas Pieterio Matthynssenso, pristat\u0117 A. Piazzollos, M. K. \u010ciurlionio bei Ch. Efthymiou k\u016brini\u0173 program\u0105. M. K. \u010ciurlionio simfonin\u0117 poema \u201eMi\u0161ke\u201c, atliekama simfoninio orkestro, Belgijoje skamb\u0117jo pirm\u0105 kart\u0105, kaip ir graik\u0173 kilm\u0117s kompozitoriaus Ch. Efthymiou [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2528,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"kt_blocks_editor_width":""},"categories":[2],"tags":[29,28,30],"translation":{"provider":"WPGlobus","version":"2.6.5","language":"en","enabled_languages":["lt","en"],"languages":{"lt":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/2527"}],"collection":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/comments?post=2527"}],"version-history":[{"count":1,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/2527\/revisions"}],"predecessor-version":[{"id":2529,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/2527\/revisions\/2529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/media\/2528"}],"wp:attachment":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/media?parent=2527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/categories?post=2527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/tags?post=2527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}