{"id":867,"date":"2019-05-13T06:17:07","date_gmt":"2019-05-13T08:17:07","guid":{"rendered":"http:\/\/ciurlioniokelias.lt\/?p=867"},"modified":"2022-08-11T19:33:44","modified_gmt":"2022-08-11T17:33:44","slug":"buvusi-leliugu-sodyba-neislikusi-kuria-nuomojosi-kymantu-seima-karklenu-maro-kapinaites","status":"publish","type":"post","link":"https:\/\/ciurlioniokelias.lt\/en\/zemelapio-objektai\/buvusi-leliugu-sodyba-neislikusi-kuria-nuomojosi-kymantu-seima-karklenu-maro-kapinaites\/","title":{"rendered":"Karkl\u0117nai (Plung\u0117 District Nausod\u017eio Municipality)."},"content":{"rendered":"\n<p><strong>Former Leliugai homestead (non-surviving), which was rented by the Kymantas family; Karkl\u0117nai plague cemetery.<\/strong><\/p>\n\n\n\n<p>In Karkl\u0117nai, seeking a better living Sofija\u2019s mother El\u017ebieta Kymantien\u0117 rented the Leliugai farm for seven years. She tried farming there, and her husband would come from Kuliai to help. The homestead, a house with a large glass annex, belonged to Jonas Leliuga, who left for America with his family in 1907 in search of happiness, leaving behind his old mother Clara. E. Kymantien\u0117 took care of her. Clara kept the most detailed memory of Sofija and Konstantinas\u2019 visit to the homestead. Her recollections were described by Eleonora Ravickien\u0117 in her book <em>\u0160imtme\u010di\u0173 takais<\/em> (On the Paths of Centuries).<\/p>\n\n\n\n<p>The beautiful surroundings of Karkl\u0117nai inspired young artists, and the locals often saw them happy, strolling around Karkl\u0117nai and on the picturesque cliffs of the Vie\u0161tov\u0117 river. \u010ciurlionis often wandered to the plague cemetery embraced by the peaceful oaks. This place left a deep impression on the artist, which he immortalized in his painting <em>\u017demai\u010di\u0173 koplytstulpiai<\/em> (Wayside Crosses of Samogitia), 1909.<\/p>\n\n\n\n<p>In Karkl\u0117nai, seeking a better living Sofija\u2019s mother El\u017ebieta Kymantien\u0117 rented the Leliugai farm for seven years. She tried farming there, and her husband would come from Kuliai to help. The homestead, a house with a large glass annex, belonged to Jonas Leliuga, who left for America with his family in 1907 in search of happiness, leaving behind his old mother Clara. E. Kymantien\u0117 took care of her. Clara kept the most detailed memory of Sofija and Konstantinas\u2019 visit to the homestead. Her recollections were described by Eleonora Ravickien\u0117 in her book <em>\u0160imtme\u010di\u0173 takais<\/em> (On the Paths of Centuries).<\/p>\n\n\n\n<p>The beautiful surroundings of Karkl\u0117nai inspired young artists, and the locals often saw them happy, strolling around Karkl\u0117nai and on the picturesque cliffs of the Vie\u0161tov\u0117 river. \u010ciurlionis often wandered to the plague cemetery embraced by the peaceful oaks. This place left a deep impression on the artist, which he immortalized in his painting <em>\u017demai\u010di\u0173 koplytstulpiai<\/em> (Wayside Crosses of Samogitia), 1909.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img src=\"http:\/\/ciurlioniokelias.lt\/wp-content\/gallery\/buvusi-leliugu-sodyba-neislikusi-kuria-nuomojosi-kymantu-seima-karklenu-maro-kapinaites\/10_01_Karklenu-maro-_kapeliai_165755.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img src=\"http:\/\/ciurlioniokelias.lt\/wp-content\/gallery\/buvusi-leliugu-sodyba-neislikusi-kuria-nuomojosi-kymantu-seima-karklenu-maro-kapinaites\/10_02_Karklenu-maro-kapeliai_165829.jpg\" alt=\"\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Former Leliugai homestead (non-surviving), which was rented by the Kymantas family; Karkl\u0117nai plague cemetery. In Karkl\u0117nai, seeking a better living Sofija\u2019s mother El\u017ebieta Kymantien\u0117 rented the Leliugai farm for seven years. She tried farming there, and her husband would come from Kuliai to help. The homestead, a house with a large glass annex, belonged to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"kt_blocks_editor_width":""},"categories":[6],"tags":[],"translation":{"provider":"WPGlobus","version":"2.6.5","language":"en","enabled_languages":["lt","en"],"languages":{"lt":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/867"}],"collection":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/comments?post=867"}],"version-history":[{"count":6,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/867\/revisions"}],"predecessor-version":[{"id":2951,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/posts\/867\/revisions\/2951"}],"wp:attachment":[{"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/media?parent=867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/categories?post=867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ciurlioniokelias.lt\/en\/wp-json\/wp\/v2\/tags?post=867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}